In each work you can see a short description of the picture.
The Adoration of the Magi is a 1619 Baroque painting by the Spanish artist Diego Velázquez now held in the Museo del Prado. It shows three kings presenting gifts to the Christ child: Melchoir, who kneels in the foreground; Balthazar, who stands behind him wearing a red cape and a lace collar; and Caspar, who appears between the other two.[1] An unidentified young man who stands behind Balthazar is looking on. Kneeling near the Virgin's left shoulder is Saint Joseph. The size and format of the painting indicate that it was made for an altarpiece.
Portrait of Don Luis de Góngora is a 1622 painting in oils of the poet Luis de Góngora by Diego Velázquez. It is influenced by Caravaggio, especially in its chiaroscuro, and also applies lessons Velazquez had learned in Italy, such as the rich palette as used by Titian. It is now in the Museum of Fine Arts, Boston
The Portrait of Philip IV in Armour is a portrait of Philip IV of Spain by Velázquez now in the Museo del Prado in Madrid. It is one of the artist's most realistic portraits of Philip IV and was one of the first he produced after being made painter to the king in 1623. Its style corresponds to the artist's beginnings in Seville and shows its subject in a sculptural style like a portrait bust, with abrupt colour contrasts.
The Triumph of Bacchus is a 1629 painting by Diego Velázquez, now in the Museo del Prado, in Madrid. The painting shows Bacchus surrounded by drunks. It is popularly known as Los borrachos or The Drinkers (politely, also The Drunks).
Apollo in the Forge of Vulcan (Spanish: Apolo en la Fragua de Vulcano) is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. Critics agree that the work should be dated to 1630, the same year as his companion painting "Joseph's Tunic". It appears that neither of the two paintings were commissioned by the king, although both became part of the royal collections within a short time. The painting became part of the collection of the Museo del Prado, in Madrid, in 1819.
The Equestrian Portrait of Count-Duke of Olivares is a painting by Spanish artist Diego Velázquez, finished in 1634. It is housed at the Metropolitan Museum of Art, in New York City. The subject of the picture is Gaspar de Guzmán, Count-Duke of Olivares, Prime Minister of Spain during the reign of Philip IV. He is portrayed riding a horse, an honour generally reserved for monarchs at the time. He wears a plumed headgear and a gilt cuirass, and holds a command baton. The composition refers to Olivares' military leadership in the service of King Philip.
Mars or Resting Mars (Descanso de Marte, literally The Rest of Mars) is a 1640 painting by Diego Velázquez. It is now in the Prado Museum. The painting was inspired by Il Pensieroso, one of Michelangelo's sculptures for the Medici in the new sacristy of the Basilica of San Lorenzo. This painting is a satirical depiction of the god Mars. It is thought to have been finished around 1639-1640
He was an individualistic artist of the contemporary Baroque period, important as a portrait artist. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family, other notable European figures
The Portrait of Sebastián de Morra is a portrait by Diego Velázquez of Sebastián de Morra, a dwarf and jester at the court of Philip IV of Spain. It was painted in around 1645 and is now in the Prado in Madrid. Velázquez portrays his whole body, sitting on the ground, wearing a rich cloak and with his short legs pointing forward in an inelegant position reminiscent of a marionette. He looks directly at the viewer, motionless, making no hand gestures, suggesting a denunciation of the court's treatment of himself and other dwarfs
The Coronation of the Virgin is a painting by Diego Velázquez of the Holy Trinity crowning the Blessed Virgin Mary, a theme in Marian art. It is now at the Museo del Prado. It was probably commissioned for the oratory of the court of Elisabeth of France, queen consort to Philip IV of Spain, in the Real Alcázar of Madrid. There it joined others on Marian religious festivities by the Naples painter Andrea Vaccaro which had been brought to Madrid by cardinal Gaspar de Borja y Velasco.
Las Meninas (Spanish for The Maids of Honour) is a 1656 painting by Diego Velázquez, the leading artist of the Spanish Golden Age, in the Museo del Prado in Madrid. The work's complex and enigmatic composition raises questions about reality and illusion, and creates an uncertain relationship between the viewer and the figures depicted. Because of these complexities, Las Meninas has been one of the most widely analyzed works in Western painting. The painting shows a large room in the Royal Alcazar of Madrid during the reign of King Philip IV of Spain, and presents several figures, most identifiable from the Spanish court, captured, according to some commentators, in a particular moment as if in a snapshot.
Las Hilanderas ("The Spinners") is a painting by the Spanish painter Diego Velázquez, housed in the Museo del Prado of Madrid, Spain. It is also known by the title The Fable of Arachne. It is usually regarded as a late work by the artist, dating from c. 1657. Traditionally, it was believed that the painting depicted women workers in the tapestry workshop of Santa Isabel. In 1948, however, Diego Angula observed that the iconography suggested Ovid's Fable of Arachne, the story of the mortal Arachne who dared to challenge the goddess Athena to a weaving competition and, on winning the contest, was turned into a spider by the jealous goddess. This is now generally accepted as the correct interpretation of the painting.
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